KVC-Arts #500!
From David Fleming: I’ve spoken with Trans-Siberian Orchestra's Al Pitrelli quite a few times by now, and it’s always 90% or more TSO, and then just a glimpse at some of his past, with some REALLY cool music and experiences there. I finally asked him if we could do a NON-Trans-Siberian Orchestra interview sometime, to which he agreed… and then he agreed again to make that a rather lengthy interview to be used for show number 500. He agreed before I could even finish asking.
We started with his work with Randy Coven. Maybe around age 22 or so, Pitrelli played 2nd guitar on one of the tracks for Coven's "Funk Me Tender." By the 2nd Coven release, "Sammy Says Ouch," it was solidly a three-piece band (with guests), with Coven, Pitrelli, and John O'Reilly at the core. They recognized that by the third release, and instead of calling it The Randy Coven Band, then naming the cd, it was simply called CPR. The CPR release is mostly instrumental, though one of the two songs include Stevie Wonder's "I Wish," with the mighty Zakk Wylde on vocals. You can find a video of this easily enough on YouTube by the way. It clearly comes from an old VHS tape which was starting to stretch out, but it's SO much fun, and beyond vocals, Wylde really burns it up on the final guitar solo (of course). A reference point: For Wylde, this would be the year after Ozzy’s “No More Tears,” and a couple years before his bands Pride & Glory and Black Label Society.
This is the next KVC-Arts - Sunday October 15th at 6 pm PST, and Tuesday the 17th at 2 and 6:30 pm PST. Streaming live at kvcrnews.org, and locally at 91.9 FM.
We spoke at such length exploring the non-Trans-Siberian Orchestra side of Al, that there’ll be a special one hour KVC-Arts Saturday October 21st at 7 pm PST. More funk and fusion, some Alice Cooper, Dee Snider, Morning Wood (a wonderful acoustic project), Asia, and touching quite lightly on Savatage and TSO. I could've easily included more Savatage and TSO, as well as Megadeth, but after the 50-minute mark I started leaning more toward sounds or bands of which people are not (or less) aware.
