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KVC-Arts 9/27/26 - Paul Brett and Ray Russell

When Ray Russell was hired to replace Vic Flick as guitarist with John Barry - going on to record the next 7 James Bond themes, starting with The Man With the Golden Gun - they soon discovered he couldn't read music. Soon after, Dave Richmond, playing bass with the band started giving Russell lessons on their way to each gig.

David Fleming speaks with Ray Russell along with more from Paul Brett, author of Finding Fretless: The Story of George Harrison's Mad Guitar.

When Ray Russell was hired to replace Vic Flick as guitarist with John Barry - going on to record the next 7 James Bond themes, starting with The Man With the Golden Gun - they soon discovered he couldn't read music. Soon after, Dave Richmond, playing bass with the band started giving Russell lessons on their way to each gig.

David Fleming speaks with Ray Russell along with more from Paul Brett, author of Finding Fretless: The Story of George Harrison's Mad Guitar.

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  • David Fleming speaks with Paul Brett, author of “Finding Fretless – The Story of George Harrison’s Mad Guitar." That guitar originated in Riverside, and the book is FILLED with Inland Empire people and locations. And quite a surprise as well, what with the number of guitars of name which came from Riverside. Some of the people who ended up WITH these guitars…there’s really a lot here.
  • On this edition of the program it's David Fleming in conversation with guitarist Ray Russell.It was Jimi Hendrix tapping at the window at 3 AM which made Ray Russell wake up. Jimi had locked himself out of the hotel and needed to be let back in. He was dressed pretty much how he would be on stage, which was pretty similar to how he dressed anyway. Ray let Jimi in (through the window) and over the next few hours they had a cup of tea and a wonderful conversation."The Conversation" is one of the tunes on "Fluid Architecture," Ray's newest release as of the time of OUR conversation. This collection of instrumentals ranges from jazz, some hard fusion, as well as some drifting, ethereal sonic soundscapes. Most of the tunes have multiple players, including the wonderful Simon Phillips. One is a beautiful acoustic piece which serves as a nice remembrance for a special friend.The different pieces represent more that just the sounds heard. They also reflect the changing - and fluid - situations and places which shape the music and emotions during which it was created. As Ray says, "The musicians that helped interpret the many 'moments' and helped the music 'become' are as important as the composition... for what they play is fluid architecture."I've loved many of Ray's releases. This one, the newest, is no different.
  • David Fleming welcomes Guitarist Ray Russell. They chat about his career and work in Jazz fusion, movie music and much more.
  • David Fleming speaks with Ray Russell, a legend in the world of jazz fusion, you might also think of him as a part of England's Wrecking Crew, with numerous film and TV scoring credits, and playing on numerous James Bond themes. He was also GIVEN a Barth guitar, built in Riverside, by George Harrison, and will be in the area soon as part of a celebration OF Barth Guitars – and The House of Note in Riverside.
  • David Fleming speaks with Paul Brett – author of “Finding Fretless – The Story of George Harrison’s Mad Guitar." That guitar originated in Riverside, and the book is FILLED with Inland Empire people and locations. We’ll also hear about an event coming up soon celebrating Bartell Guitars, The house of Note, and memories from this region.
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