Phil Harrell

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

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Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explai

Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

Nadia Tehran's debut album, Dozakh: All Lovers Hell, opens with a haunting excerpt from an interview with her father. Tehran's father recounts his last day fighting in the Iran-Iraq war in the 1980s, when he drove an ammunition-filled car that exploded after it was attacked. "Death comes when it comes," Tehran's father recalls saying to rally his troops for that ill-fated expedition. "One should not be afraid of death."

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This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action.

Pioneering rockers like Jerry Lee Lewis and Little Richard brought the fire of a Pentecostal preacher to their pianos. That same spirit is alive and well in the work of Low Cut Connie, whose fifth album Dirty Pictures (Part 2) comes out May 18.

The Super Bowl halftime show is arguably as big a spectacle as the actual game. And back in 2015, it launched an unwitting star.

Katy Perry was the halftime artist, but one of her dancers stole the spotlight. During her performance of the song "Teenage Dream," she was flanked onstage by two dancers dressed in enormous blue shark costumes. The one on the right seemed to dance in sync; the one on the other side flailed as if he'd been encased in that costume against his will.

"Left Shark" became an instant sensation.

Baltimore's Lafayette Gilchrist is a jazz pianist, but when his band the New Volcanoes backs him up, listeners also get something different: a go-go beat.