Oliver Wang

Raucous, outspoken and empowered, Davis, who died last week at 77, always knew what she wanted her music to be — raw — and she took control of her career in an era when few Black women could.

In 1968, the British singer flew to the U.S. after signing with Atlantic Records. Her acclaimed recordings from this period are collected in Dusty Springfield: The Complete Atlantic Singles 1968-1971.

Rampart Records documented L.A.'s Eastside Sound during a fertile period of interracial collaboration from the 1960s through the early 1990s. Now, some of that music has been reissued.

Hip hop duo Gang Starr broke up in the mid-2000s and in 2010, MC Guru died. So fans were surprised by the announcement of a new, posthumous album called One Of The Best Yet.

In 1972, Gaye began work on a follow-up to his classic album, What's Going On. He laid down over a dozen new tracks, but the project stalled and most of the songs were not released until now.

If To Pimp a Butterfly, Lamar's ornate jazz-funk experiment, played like billiard balls scattering after the break, then DAMN. wraps its focus inward: tight and layered, like a bundle of rubber bands.

Frankie Reyes is a Los Angeles-based artist who remakes classic Mexican and other Spanish-language ballads and waltzes using a vintage synthesizer. His new album is called Boleros Valses y Mas.

The 1972 concerts at The Apollo were recorded but, inexplicably, never released — until now. They show a side of Brown content to turn the show over to his collaborators.

Maybe this is all part of some performance-art piece we've been unwittingly sucked into. But either way, it seems to be working.

Steven Ellison has built an impressive reputation among critics and fans in the know for mixing hip hop, jazz and electronica into something original. But even for the aforementioned followers, the new album from Ellison — better-known as Flying Lotus — is a surprise. It's all about death, not as something to be mourned but as a journey to be anticipated.