Chris Klimek
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The actor, who died last weekend, enjoyed a long and storied career that involved some of the most memorable onscreen deaths in cinema history.
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The Chris Pratt/Jennifer Lawrence film about two beautiful people alone on a vast spaceship doesn't have the courage of its creepy convictions, and devolves into rote rom-com sentiment.
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A footnote in the Star Wars saga gets its own movie — a tense, grubby, effective tale of interstellar combat that skimps on the series' mythic overtones.
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The latest Marvel movie, Dr. Strange, is about a neurosurgeon on a quest to heal himself. It's worth the extra cost of a 3-D ticket, says reviewer Chris Klimek.
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Andrew Garfield plays a conscientious objector who won the Medal of Honor in World War II. This "sturdy, muted, unsurprising" film is the first movie Mel Gibson has directed since 2006's Apocalypto.
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Critic Chris Klimek gets so excited about the various film versions of an epic set in the Roman Empire that he opens a Socratic dialogue with his editor. (Yes, Socrates was Greek, not Roman. We know.)
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With the arrival of Ghostbusters this weekend, every single top 10 movie of 1984 has been rebooted — or become a franchise.
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The Legend Of Tarzan tries to reinvent the story as an indictment of colonialism, but it lacks the wit or liveliness of the Tarantino revisionist histories it seems to be trying to emulate.
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The latest period installment of the mutant franchise gets the gang back together, but the time machine seems to be running out of juice.
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"The Vibranium standard for superteam flicks" is reviewer Chris Klimek's take on the 13th Marvel Cinematic Universe movie.