Ella Taylor
Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.
Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.
Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.
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Using aerial photography and intimate, one-on-one interviews to document the plight of migrants in Europe, Africa, the Middle East and Asia, artist Ai Weiwei's documentary is grim but vital.
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Errol Morris' unusually straightforward documentary about portrait photographer Elsa Dorfman is as charming as its sunny, voluble subject.
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Director Miguel Arteta and screenwriter Mike White collaborate on a film featuring Salma Hayek as a healer who finds herself at a very uncomfortable meal.
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Bryan Cranston plays a man who settles in to spy on his own family in Wakefield, a story with roots going all the way back to Nathaniel Hawthorne.
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Frank Langella is an aging, stoic patriarch determined to end his life in this uneven but effective cross-country comedy-drama.
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Director Damien Chazelle follows up Whiplash, his 2014 study in musical masochism, with a romantic musical full of catchy ditties and vibrant colors.
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Our critic Ella Taylor loves this "generous, candid" sequel to Bridget Jones's Diary, in which the now 40-something Bridget willfully faces down new professional and romantic challenges.
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The late filmmaker Krzysztof Kieslowski's Dekalog, a masterpiece that began life as a series of films made for television, finally gets a digitally restored North American theatrical distribution.
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A new documentary about motivational speaker Tony Robbins falls helplessly under the coal-walking life-coach's magnetic, intoxicating sway.
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Athina Rachel Tsangari's black comedy about men who undertake a petty but brutal competition while aboard a yacht together may or may not be a political allegory.